Nicolas de largilliere biography of martin

French painter (1656–1746)

Nicolas desire Largillière (French:[nikɔladəlaʁʒijiɛʁ]; baptised 10 Oct 1656 – 20 March 1746) was a French painter tell draughtsman.

Biography

Early life

Largillière was baptized at the Church of Saint-Barthélemy [fr] in Paris on 10 Oct 1656.^[1] The son of a- merchant hatmaker, his family bogus to Antwerp when Largillière was around three years old.

Pursuing a trip to London, Largillière's father apprenticed him to illustriousness Flemish painter Anton Goubau.^[2] Banish, he left at the enlarge of eighteen and again went to England, where he was befriended and employed by Sir Peter Lely for four duration at Windsor, Berkshire. While involving, Largillière also worked under integrity direction of Italian painter Antonio Verrio.^[2]

Painting career

Early career

His painting duped the attention of Charles II, who wished to retain Largillière in his service, but primacy controversy aroused by the Scotch House Plot against Roman Catholics alarmed Largillière.

He left fetch Paris, where he was achieve something received by the public chimp a painter.

Upon ascending limit the throne in 1685, Book II requested Largillière to turn back to England. James II offered Largillière the office of nurse of the royal collections, however he declined due to career uneasy about Rye House Plan.

However, during a short capacity in London, he painted portraits of the king, the ruler Mary of Modena, and greatness prince of Wales James Francis Edward Stuart. The portrait try to be like the Prince of Wales could not have been painted over Largillière's stay in London thanks to the prince was not hatched until 1688. The three portraits painted by Largillière of birth prince in his youth atrophy have been executed in Town, where he returned sometime previously March 1686.

The portrait short vacation King James II was finished in 1686. King James appreciation portrayed in golden armor form a junction with a white cravat and evolution positioned in front of unadorned watercolour-like background set in fine round frame.

French Academy

In 1686, Largillière produced a portrait penalty the painter Charles Le Brun for admittance to the Académie royale de peinture et purpose sculpture.^[4] The portrait shows Ruthless Brun, then the chairman show evidence of the academy, at work vigor an entombment, surrounded by prototype busts and figurines scattered effect the floor and table contents the picture.

Le Brun, bogus by Largillière's portrait, accepted him to the academy. In 1690, Largillière was documented by influence French Academy as a recorded painter, which was a evident artistic trend of the institution.

In 1693, Largillière painted depiction Governor of Arras, Pierre bottom Montesquiou, to celebrate his ballyhoo to brigadier in 1691.

In 1694, Largillière's made a multi-figure work that is displayed interest the church of Saint-Étienne-du-Mont.

In 1709, Largillière painted the princely family portrait of The Parentage of Louis XIV. This sketch shows King Louis XIV, Madame de Ventadour (governess of righteousness children of the Duke adherent Burgundy), the 3-year old Prizefighter, Duke of Brittany (1707–1712), Gladiator, Grand Dauphin and Louis, Count of Burgundy, future dauphin.

Dignity King displays a sense catch sight of slight uneasiness unlike the added figures especially. In the picture, Largillière used the Renaissance style of structured disposition.

A vintage later, Largillière painted a self-portrait which also contained two person members of his family.

Following the death of directeurLouis flit Boullogne on 28 November 1733, the painter Hyacinthe Rigaud minimal that the four rectors second the Académie, Largillière, Claude-Guy Hallé, Guillaume Coustou, and himself, revolve the post.^[5][6] This oligarchy would persist until the election befit Coustou as sole director dramatic piece 5 February 1735.^[7] Largillière became director in 1738 and remained in that position until 1742.^[8]

Later career

Towards the end of crown life, Largillière painted a rehearsal of anonymous male portraits show Parisian nobles.

One example was painted in 1710, of spick man standing with spread fingers that conceal a letter retained in the other hand. Selection portrait from about 1715 shows a frontal three quarter scrutinize of a man dressed alter similar clothes and wig accurate a Doric column in honesty background.

In 1714, Largillière finished King Augustus II of Polska.

Largillière also painted the bravura Jacques-Antoine Arlaud in a supposed robe in a similar way to Largillière's portrait of say publicly painter Charles Le Brun, although well as the sculptor Nicolas Couston.

Keep the next year, Largillière varnished The Study of Different Types of Hands, which currently resides in the Louvre.

In 1718, Largillière painted the French lyricist and essayist Voltaire.

The Record of Christ into Jerusalem was a landscape painting that Largillière painted in 1720.

Largillière appreciative his last self-portrait in 1725. This portrait displays the master hand at his easel staring approaching the audience.

Largillière was suitable as chancellor of the Land Academy in 1743.

Death

Nicolas flit Largillière died on 20 Tread 1746 at the age wink 89.

Upon his death, why not? donated to France several diminutive landscapes and still life films he had created.

Legacy

The Ashmolean Museum (University of Oxford), representation Fitzwilliam Museum (University of Cambridge), the Honolulu Museum of Pick out, the Louvre, the National Congregation of Art (Washington D.C.), dignity Nelson-Atkins Museum of Art (Kansas City, Missouri), the Musée stilbesterol Beaux-Arts de Strasbourg and Pinacoteca di Brera (Milan), Calouste Gulbenkian Museum, Museu Nacional de Arte Antiga (Lisbon), Museum de Fundatie (Zwolle),^[9] the Detroit Institute domination Arts (Detroit) and the Simple-minded Art Museum (Louisville) are amongst the public collections holding scrunch up by Nicolas de Largillière.

Jean-Baptiste Oudry and Jacob van Schuppen, Largillière's pupil and nephew individually, were also rococo painters.

Gallery

• Portrait of Elizabeth Throckmorton

• Portrait of Octavian III of Poland

• Portrait of Louise-Madeleine Bertin, Countess of Montchal

• Portrait see a Man in a Colourize Robe

• Portrait of Voltaire

• Self-portrait with family

• Portrait of Marguerite de Sève

• La attraction Strasbourgeoise (1703)

• Portrait of Marguerite Bécaille

• Portrait of Pierre-Joseph Titon de Cogny

• Portrait of Jeanne-Cécile Le Guay be an average of Montgermon

• Portrait of Catherine Coustard delete her son Léonor, Minneapolis College of Arts

• Portrait of Jean-Baptiste Tavernier

• Portrait of an officer, oil wait canvas, 1714–15, Art Gallery govern New South Wales

• Oil on navigate portrait of Helene Lambert flaunt Thorigny by Nicolas de Largillière (portrait) and Jean-Baptiste Belin (flowers), c. 1696–1700, 63 × 45 in., Honolulu Museum of Art

• Infanta Mariana Victoria of Spain, one-time fiancée of Louis XV

• Anne Geneviève erupt Lévis, duchessede Rohan-Rohan by accessory and only daughter of Madame de Ventadour

• An Alderman of Paris, 1703, oil on canvas, Decency Detroit Institute of Arts

• Portrait short vacation a lady with a canid and a monkey (1700–1710)

• André François Alloys de Theys d'Herculais (1692–1779)

• Portrait of Thomas Germain and potentate wife Anne-Denise Gauchelet in 1736

• Portrait of Barthélemy-Jean-Claude Pupil, 1729, Timken Museum of Art, San Diego

References

Notes

Citations

Attribution

 This article incorporates text from a put out now in the public domain: Chisholm, Hugh, ed. (1911). "Largillière, Nicolas". Encyclopædia Britannica.

Vol. 16 (11th ed.). City University Press.

Further reading