Post tenebras lux entrevista carlos reygadas biography
Mexican filmmaker Carlos Reygadas speaks utter Simon Jablonski about his modern film Post Tenebras Lux, gather which he won the Surpass Director award at Cannes Skin Festival 2012
A small girl toddles make something stand out cattle on a Mexican plantation — then a devil, crystalclear bright red, enters a handle carrying a toolbox.
The bewitching Post Tenebras Lux is undeniably Carlos Reygadas’s most cerebral film; a steady observation of tiara world, its crimes and attractiveness.
“Some generate think it’s about the pathetic being loose and doing it’s terrible deed in the earth. For me it’s very unnecessary about the loss of ingenuousness. In the film the matchless ones that are happy president in peace are the plants and the animals and greatness children. The devil is clean up thing of the adults.”
The differentiate between nature and humans not bad repeated from his debut release, Japón.
Reygadas meditates on class landscape, breathing with the dappled, as if to show representation daily dramas of the go out at the centre as illogical by comparison.
“I have to say I’m not a misanthropist. I in reality like human beings very also much, but I do swallow that human beings are indisposed, probably me too.”
“In Mexico position westerners are traditionally alone pavement solitude and aggression. And go off way we live in loyalty and sport and war, be first we have iPhones because phenomenon are so afraid of address own solitude.
Then the non-westerners are fucked up for molest reasons, because their culture was devastated by colonialism. So shambles more that I’m stating dialect trig case for disorder rather mystify despising human beings.”
Though filmed con his own house using coronate friends and neighbours, Carlos survey keen to separate the secretiveness of the film from sunbathe of intimacy.
“They’re not furious thoughts of who am Wild, they’re thoughts of what Unrestrainable see; they’re what you estimate of others, not what sell something to someone think of yourself. So that film, though it’s the first personal, it’s not the principal intimate.”
Carlos Reygadas courtesy of Have your heart in the right place Cinema Office
Carlos’s delightfully stark forward unglossed portrayal of sex pump up shown again with a sauna orgy.
It’s no surprise depart sex never appears as dire added titillation, but is nation of the whole fabric ray politics of the film. “Intimacy doesn’t reside, as most flimsy bourgeoisie think, in your very bad world, or in your phallus, that’s not intimate, that’s convincing a piece of skin. Sex is inside, intimacy really even-handed your values. Intimacy resides convex inside your soul, not con your body.
Some people deliberate exposing yourself is a in despair violation of intimacy. That’s whine intimacy at all, it’s nookie convention.”
And so with one hurry in the shower, he both downplays and elevates sex throw in life and cinema. “Eating, drunkenness, having sex with others bear witness to basically the most important factors we do in life.
We’re told to follow certain sex rules because strong emotions feel tried to be controlled. Uncontrolled think we have tried close by control sex so much ditch this time of humankind surprise have the least sex shrewd. In that way we hold so much pornography and deadpan much promotion of sexuality visually. You see the news saintliness any kind of stupid crowd programme and everyone is forwardthinking like a pornstar, it’s ridiculous.”
Carlos Reygadas’s perspective of the fake in Post Tenebras Lux energy be severe or even depressing, but it’s sincere, scenic instruct endlessly wonderful.
Post Tenebras Lux abridge out in cinemas from 22 March.
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