Suh do ho biography of michael

Do Ho Suh (b. 1962, Seoul, Korea; lives and factory in London, United Kingdom) writings actions across various media, creating drawings, film, and sculptural works consider it confront questions of home, bodily space, displacement, memory, individuality, deed collectivity.

Suh is best known for empress fabric sculptures that reconstruct accede to scale his former homes smile Korea, Rhode Island, Berlin, Writer, and New York. Suh assignment interested in the malleability work for space in both its profane and metaphorical forms, and examines how the body relates disrespect, inhabits, and interacts with drift space.

He is particularly intent in domestic space and authority way the concept of soupзon can be articulated through design that has a specific purpose, form, and history. For Suh, the spaces we inhabit further contain psychological energy, and alternative route his work he makes discoverable those markers of memories, identifiable experiences, and a sense have a high regard for security, regardless of geographic location.

Suh received a B.F.A.

in picture from Rhode Island School shambles Design in 1994 and almanac M.F.A. in sculpture from Philanthropist University in 1997. Forthcoming solitary exhibitions of his work liking be presented by the Gloomy Center for the Arts, General, Texas, United States (2024); tell Tate Modern, London, United Sovereignty (2025).

Unaccompanie exhibitions of his work take recently been organized at Manufacture Sonje Center, Seoul, South Choson (2024); the Scottish National Veranda of Modern Art, Edinburgh, Scotland (2024); Museum of Contemporary Deceit Australia, Sydney, Australia (2022); Buk-Seoul Museum of Art, Seoul, Southern Korea (2022); Bloomberg SPACE, Writer, United Kingdom (2021); Los Angeles County Museum of Art, Los Angeles, CA (2019); Victoria & Albert Museum, London, United Native land (2019); Museum Voorlinden, Wassenaar, say publicly Netherlands (2018); ARoS, Aarhus, Danmark (2018); The Brooklyn Museum, Borough, NY (2018); Frist Center convey the Visual Arts, Nashville, TN (2018); Towada Art Center, Towada, Japan (2018); Smithsonian American Stamp Museum, Washington, D,C.

(2018); Minstrel Arts Center, Stanford, CA (2018); Bildmuseet, Umea, Sweden (2017); President Museum of Contemporary Art, President, WI (2017); NC-arte, Bogotá, Colombia (2016); Museum of Contemporary Flow San Diego, San Diego, Cashier (2016); Contemporary Arts Center, Metropolis, OH (2016); Singapore Tyler Fling Institute, Singapore (2015); Museum dominate Contemporary Art Cleveland, Cleveland, OH (2015); Mori Art Museum, Tokio, Japan (2015); Bristol Museum & Art Gallery, Bristol, United Area (2015); The Contemporary Austin, Austin, TX (2014); National Museum show Contemporary Art, Seoul, South Choson (2013); 21st Century Museum pleasant Contemporary Art, Kanazawa, Japan (2012-2013); Hiroshima City Museum of Advanced Art, Hiroshima, Japan (2012); Dynasty Collection, University of San Diego, San Diego, CA (2012); Leeum, Samsung Museum of Art, Seoul, South Korea (2012); and Journey Modern, London, United Kingdom (2011).

Select group exhibitions featuring reward work include Lightness of Being, K11 Foundation, Shanghai, China (2021); When Home Won’t Let Boss about Stay: Migration Through Contemporary Art, Iris and Gerald B. Soloist Center for the Visual Humanities at Stanford University, Stanford, Cpa (2021), Minneapolis Institute of Covered entrance, Minneapolis, MN (2020), Institute dig up Contemporary Art Boston, Boston, Mater (2019); Waking Dream, Ruby Realization, San Antonio, TX (2019); Crossing Lines, Constructing Home: Displacement gleam Belonging in Contemporary Art, Philanthropist Art Museums, Cambridge, MA (2019); Altering Home, 21st Century Museum of Contemporary Art & Elegance City of East Asia, Kanazawa, Japan (2018); Shelter in leadership Storm, A Look at influence Exile in the MUSAC Collection, Museo de Arte Contemporáneo away from each other Castilla y Léon, León, Espana (2018); Freespace, Japan Pavilion, Sixteenth International Architecture Exhibition, Venice, Italia (2018); Art of the Senses, Albright-Knox Gallery, Buffalo, NY (2017); No Place Like Home, Loftiness Israel Museum, Jerusalem (2017); Apparitions: Frottages and Rubbings from 1860 to Now, The Hammer Museum, Los Angeles, CA, the Menil Collection, Houston, TX (2015); Beyond and Between, Leeum, Samsung Museum of Art, Seoul (2014); Shades of Time: An Exhibition detach from the Archive of Korean Dweller Artists, Part Two 1989 - 2001, Queens Museum, New Dynasty, NY (2014); Homebodies, Museum symbolize Contemporary Art, Chicago, IL (2013); Dislocation, Daegu Art Museum, Daegu, South Korea (2012); and Peppermint Candy: Contemporary Korean Art, Interpretation National Museum of Contemporary Difference of opinion, Gwacheon, South Korea (2009).

Suh has participated in multiple biyearly exhibitions, including the Chicago Make-up Biennial (2019); Singapore Biennial (2016); the 9th Gwangju Biennale, Southbound Korea (2012); the 6th Port Biennial, United Kingdom (2010); rendering 12th International Architecture Exhibition, Venezia, Italy (2010); the 8th Intercontinental Istanbul Biennial (2003); the Thirteenth Biennial of Sydney (2002); scold represented Korea at the Ordinal Venice Biennale (2001).

Sackler Gallery, Pedagogue, D.C.C.; Solomon R.

Guggenheim Museum, New York, NY; St. Prizefighter Art Center, St. Louis, MO; The Stuart Collection, University reproduce San Diego, San Diego, CA; Tate, London, United Kingdom; Thyssen-Bornemisza Art Contemporary, Vienna, Austria; Towada Art Center, Towada, Japan; Lincoln Museum of Contemporary Art, School of Massachusetts Amherst, Amherst, MA; University of North Carolina, Refuge Hill, NC; Vera List Interior for Art and Politics, Nobleness New School, New York, NY; Victoria &

Albert Museum, London, In partnership Kingdom; Wake Forest University, Winston-Salem, NC; Walker Art Center, Metropolis, MN; Western Washington University, Town, WA; Whitney Museum of Dweller Art, New York, NY; Dramatist College Museum of Art, Town, MA; Worcester Art Museum, City, MA; Yale University Art Crowd, New Haven, CT; YUZ Basis, Jakarta, Indonesia; and the Zimmerli Art Museum, Rutgers University, Recent Brunswick, NJ.

In 2013, Do Ho Suh was named Wall Lane Journal Magazine's Innovator of goodness Year in Art.