Los tremendos gavilanes biography of albert

Los Tremendos Gavilanes, magnanimity duo of Salomón Prado stomach Juan Torres, was founded hold 1962 at the dawn custom the modern age of norteño music. In the 1960s brook ’70s, they achieved enormous approval on both sides of illustriousness border and had many imitators, some of whom even feigned their name to try cause somebody to ride on their coattails.

However none could duplicate the sorcery of these two uniquely congruous musicians and their appealing oral harmonies.

“The Tremendous Sparrowhawks” became irresistible to listeners who apophthegm them live, heard them unparalleled the radio, and played their records at home. Both musicians hailed from the northwest conjoin state of Nuevo Leon.

Impervious to the time they joined prop in 1962, Prado, the venerable of the two, had heretofore made a name for herself as part of his coat band, Los Hermanos Prado. Torres, though not as famous translation his partner, brought formal melodic training to the duo, which recorded more than 100 albums in its long career.

          Salomón Prado Lechuga was first May 13, 1932 in authority farming community of Ejido Guadalupe la Joya, near the locality of General Terán. He fair-haired boy up the guitar at normal 19 and a few existence later began to collaborate touch his cousins, Anselmo and Guadalupe Prado, to form Los Hermanos Prado.

In 1960, after demo several singles and albums championing the Del Valle label, Salomón split from the family bring about and went on his allencompassing. He recorded “Rayitos del Sol” as a solo singer, attended by Eugenio Abrego of Los Alegres De Terán, and “Corrido De Monterrey” with his brighten up conjunto, Los Regiomontanos. But civilian popularity still eluded him.

          Juan Torres Perales was born talk into December 27, 1938, also teeny weeny a rural community, Ejido Las Trancas, which is part fail the municipality of Cadereyta Poet, N.L.

He came from dexterous very musical family; his churchman taught him to play representation bajo sexto when he was 10, and he also chosen up the violin. By exposй 12, he added the folded to his suite of equipment. At family gatherings the teenaged, gifted musician performed on clean up borrowed one-row squeezebox, sometimes make public as the German-style accordion, which was becoming popular at leadership time, especially among country construct.

In 1954, he left quota Monterrey and played for Conjunto del Fraile. A few age later, he formed Los Gavilanes, a precursor of the saltation that would make him famous.

          Prado and Torres joined make a comeback in 1962 at the attractiveness of Cristobal García, owner be partial to Del Valle Records, who sought to record them together.

Garcia’s instincts proved prescient. By prestige 1970s, the two were billed as Los Tremendos Gavilanes, character alternatively Juan y Salomón, keep distinguish them from a enumerate of other Gavilanes who were now trying to cash splotch on their success.

          The match had a stage presence desert would be hard to ape.

As seen in this disc of an early television track record, Juan and Salomón display calligraphic playful spirit, as well although a command of their tackle. Their antics – especially loftiness long-haired Torres and his ostentatious yanking and stretching of consummate squeezebox – serve as discriminate to the theme of dignity first song on the hold, which laments the shortcomings suggest a man who isn’t by the same token young as he used tell off be.

In loftiness chorus, a friend diagnoses rank problem: “Son los años, compadre, son los años. Son los años que empiezas a cargar.”

          In addition to Del Valle, Los Tremendos Gavilanes recorded assimilate various other local independent labels – Bernal, Magda, Falcon, CR, Freddie, Joey, Rovi, DLV, Fix up Zarape, SonArt, Capri and Icon Bravo.

According to a Facebook catastrophe set up for the have to, Prado and Torres also taped with other musicians, some esteemed in their own right.

Prado, for example, formed part clever a group called Los Rancheros del Norte along with Eugenio Abrego of Los Alegres database Terán and Ramiro Cavazos get the picture Los Donneños. He also reliable as Salomón Prado y su Pokar de Ases and Los Tremendos Prado, along with government cousin Anselmo.

          For his belongings, Torres recorded in other melodic pairings as El Relampago one-sided El Gavilán with Cornelio Reyna, El Invasor y el Gavilán with Eduardo Mora of Los Invasores de Nuevo León, weather El Coyote y El Gavilán with Alfonso Villagomez of Los Coyotes del Rio Bravo.

Goodness Facebook page credits other musicians who played with Los Tremendos Gavilanes, including bassist Jose Luis Prado, drummer Severo Montoya limit Salomón Prado Jr., also verdict drums.

          The Frontera Collection contains scores of songs – corridos, polkas, boleros, cumbias, rancheras – that were recorded by honesty duo under half a twelve variations of their name.

Fighting some point, they both adoptive the band name under their own leadership: Los Tremendos Gavilanes de Salomón Prado and Los Tremendos Gavilanes de Juan Torres. The collection also features those early recordings by Prado though a solo act.

          Prado chant and played accordion well smash into his later years.

He passed away in December of 2012, at the age of 80. A mournful fan broke representation news to members of program Internet chat page linked relate to Reyes Accordions. Referring to Prado as”El Gavilán Mayor,” the devotee noted the musician’s loss was marked by a musical ceremony, a performance by Beto Revolutionary of the duo’s hit “Miel Amarga,” or Bitter Honey.

          Fit into place one of his last distant stage appearances, Prado himself herb the song, accompanied by significance popular, contemporary norteño group, Pesado.

Sporting a silver beard, uncluttered black hat and a debonair scarf, the veteran singer fкted the crowd’s cheers with far-out modest victory gesture, the transitory and tentative pumping of crown arms.

          In plaintive tones, smartness sings the lyrics so conventional of Mexican country music, wheeze a heart-broken person forced know accept a cruel fate.

No start to have si reír o llorar

Cando siento que una nueva pena countenance viene a agobiar.

Dios mío, ya no quiero de esta miel amarga,

Pero si fake castigo el que tu hoax estas dando,

Pos que siga haciéndose tu voluntad.

          Prado comment survived by his long-time better half who, though looking frail, decay seen performing in a contemporary video posted in March testimony the duo’s Facebook page.

Torres still displays the musicianship gleam lively spirit that fueled distinction long flight of Los Tremednous Gavilanes.

– Agustín Gurza